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Using resonance frequencies for balancing and detoxing
For several years now we’ve been researching various aspects of frequencies and the effects these frequencies may have on people, places, and things.

We propose that various audio and photonic frequencies found in the voice and/or in an object can be calculated to balance and/or alleviate different ailments using resonance. We’re all familiar with the vocal changes human males undergo because of hormonal changes during puberty.  The voice is just one mechanism that reveals the state of the human body.  Dr. Max Little’s work at the Media Lab, MIT is in the process of diagnosing Parkinson’s using a person’s voice http://www.parkinsonsvoice.org/team.php.  They have a 98.6% detection accuracy (that is, the percentage of samples that were correctly identified as being either healthy or Parkinson’s, averaged over all cross-validation runs) under lab conditions.

Our goal is to use the frequencies from an individuals voice not to diagnose an issue but to create a “balanced system”, decrease stagnation, and alleviate discomfort by creating a sense of well being. This can be done by adjusting / resonating parts of a persons individual frequency pattern and sending it back to them via different means. Since the frequencies generated are created from the persons own vocal frequencies this limits / reduces adverse side effects. It’s very similar to getting a suit tailor made for you. Since the tailor uses your exact measurements the suit fits you perfectly.

A simple example of sympathetic resonance:  Lets say your in a crowded room and someone pages John Doe over the intercom system you wouldn’t answer (unless your name is John Doe) but if they page your name you would answer (that’s the name you resonant with).  Some parts of the body work in a similar fashion.  The body is similar to a very crowded room which has multiple conversations going on all at once.  We find that the technique we use which uses a persons personal resonant frequencies works best when we “call / use” the exact name of the person to which we’re looking for especially in a crowded room.

I’m a firm believer that everything contains its own seeds for growth  but also it’s own seeds for decline. I’ll use water as an example, an H2O molecule is made up of two gases that can be extremely flammable Hydrogen and Oxygen, but when combined in the right proportions these two flammable gases can be used to extinguish the very flames they may create. The human voice is very similar.  Using FFT (Fast Fourier transforms) to deconstruct a persons “vocal pattern / vocal snapshot / vocal recipe” into its individual component parts of frequency, amplitude, and phase angle allows us to know the makeup of the persons voice, thereby allowing us to adjust each part separately.

A persons voice recorded as an audio wave file can be described as a “vocal snapshot / vocal pattern / vocal recipe”.  Like a recipe the voice contains a list of instructions of what ingredients need to be added, the quantities of the ingredients to add, and when to add those ingredients.  To obtain this “vocal recipe” found in the voice we use a commonly known technique called FFT (Fast Fourier transforms) to read and decipher a persons “vocal snapshot / vocal pattern / vocal recipe” into its individual component parts which are frequency, amplitude, and phase angles.  This allows us to know the makeup of the persons voice, thereby allowing us to adjust each part separately.  Continuing with the analogy of recipes the individual frequencies found in the voice could be described as the different ingredients, the amplitude could be described as the amount of each ingredient added, and the phase angle would be the time when each ingredient is to be added to the mixture (see Table 1 below)

Table 1: Analogy comparing a food recipe with what we call your “vocal recipe / vocal snapshot / vocal pattern” (which is the audio file you send to us)

Simple recipe

Vocal Recipe / Vocal Snapshot /
Vocal Pattern

Ingredients: (eggs, flour, sugar, milk)

Frequency: (90hz, 187hz, 320hz, 340.3hz etc…)

Amount of ingredients: (2 eggs, 1 1/2 cup of sugar, 1 cup of milk 2 cups of flour)

Amplitude: (.5, .2, .3, .34 etc…)

When to add the ingredients and how long to cook: (preheat oven 15 mins., cook for 45 mins)

Phase angle: (3 radians, 2.34 radians, 5.54 radians, 0.45 radians etc…)

We call it a “vocal snapshot / vocal pattern / vocal recipe” due to the fact that if you put thousands of individual snapshots together you get a movie if you add all the ingredients in a recipe together you get a meal.  That’s the reason we call it a “vocal snapshot / vocal pattern / vocal recipe” we follow the instructions found in your voice when we deconstruct it using FFT to create the final VSR (Vocal Sympathetic Resonance) file.

Another way to describe the power of FFT (Fast Fourier transforms) is in a story.  I have three types of can vegetable juices, Del Mondo, V4, and Veggie-Veggie. FFT (Fast Fourier transforms) allows us to break down each can of vegetable juice to show us which vegetables are in each can, along with the quantity of each vegetable in the can. Using FFT (Fast Fourier transforms) allows us to mix and match frequencies just like mixing different vegetables in the can of vegetable juices. A good book that explains FFT (Fast Fourier Transforms) http://www.amazon.com/Who-Fourier…/dp/0964350432

Given a persons “vocal snapshot / vocal pattern / vocal recipe” (audio wav file) we’re able to calculate the resonant frequencies that an individual’s voice is sympathetic to.  This is done using mathematical programming but it could also be classified as solving for multidimensional (multi-variable) non-linear vector functions or what I like to call math.  When these sympathetic frequencies are played back to the subject they have the ability to induce various beneficial effects. The file we create does not have “common” tempo’s nor does it use “common” musical timing. It is not a musical composition in the classical sense. The audio file is calculated and created using specific frequencies for each subject based on the audio wav file the subject sends to us.  For videos that go over the theory and technique see links below.


Here’s the long video with theory, an example, and explanation
https://youtu.be/HmruMNatAtg

A physical example using water and guide veins that demonstrate how we improve the flow of the system.  In the video the water represents sound frequencies which are found in your voice flowing at different rates.   The guide veins shown in the video are physical objects which improve the flow of the system, however in our case the guide veins are generated using sound waves (frequencies) obtained from the audio file.
https://youtu.be/iAMdopf3kGs

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